1. SIMON FRASER UNIVERSITY? SUMMER SEMESTER 2009
  1. EDUC 456-4?
  2. MODELS OF THE CONTEMPORARY ARTS IN
    1. EDUCATION ?
    2. (D100)
      1. Zuzana Vasko
      2. email: zvasko@telus.net
      3. COURSE OBJECTIVES
      4. ASSIGNMENTS

EDUG Outline
?
0 ?
http://www.educ.sfu.ef
radprogs/course^—listings/Educ456vasko.htmI
SIMON FRASER UNIVERSITY?
SUMMER SEMESTER 2009

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EDUC
456-4?

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MODELS OF THE CONTEMPORARY ARTS IN
EDUCATION ?
(D100)
Zuzana Vasko
email: zvasko@telus.net
Wednesday 1:30-5:20 EDB 75600b
PREREQUISITE:
60 hours of credit
COURSE DESCRIPTION
This course examines the forms, processes, values and conceptions of the contemporary visual arts and
relates these ideas to more traditional perspectives and to the development and practice of art education
in schools. We will look at the main ideas, themes, approaches, media and guiding assumptions of
contemporary art.
Contemporary art involves ways of working that are frequently conceptual, improvisational,
exploratory, and interdisciplinary. Such art is often personal, process-oriented, relativist, reflective and
collaborative. It tends to focus on meaning rather than form or beauty; it uses a wide variety of materials
and skills, and can employ found objects, assemblage, mixed media, performance, photography, as well
as traditional media such as drawing and painting. Such art often deconstructs the grand narratives of
modernism (truth, beauty, the fine arts, artist as creative genius, judgments of taste), and explores social
and aesthetic issues such as the nature of art, aesthetic quality, uniqueness, consumerism, politics,
ecology, gender, sexuality, the market, technology, culture, language, the media, identity, etc. The course
examines modern and postmodern approaches to art with a view to providing a balanced understanding
that is of value to education. Through readings, discussions, and art activities, students explore the
range, meaning and value of art today, and ways in which it can be developed in the school curriculum.
Various perspectives and backgrounds are welcome to be brought forth, as we explore how engaging in
the arts, both as responders to works and as active makers, can open up and enrich the realms of
learning and teaching. Participation in class activities is essential. Some basic art materials required.
COURSE OBJECTIVES
-To become familiar with the work of contemporary visual artists.
-To learn about and respond to theoretical issues in art today, as well as to meaning-oriented approaches
to the teaching of art.
-To engage in the practice of art-making in a reflective way.
ASSIGNMENTS
1. Art activities and projects, 40%
2. Reading Logs and in-class discussion, 30%
3. Term paper, 30%
REQUIRED TEXTS
Freeland, Cynthia (2002). But is it Art? New York: Oxford University Press.
ISBN 0 19210055 6 pbk
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- EDU€ Outline ?
http://www.educ.sfi.igradprogs/course_listings/Educ456vasko.htm1
Walker, Sydney, R. (2001) Teaching Meaning in Artma king. Worcester: Davis Publications. ISBN
87192
583 4
pbk
Students in all Faculty of Education courses are encouraged to review policies pertaining to academic
integrity available on the Undergraduate Programs website:
http://www.educ.sfu.calugradprogs/student
resources/index.html
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