1. SIMON FRASER UNIVERSITY ?
    1. SUMMER SEMESTER 2006
  1. EDUC 456-4?
    1. MODELS OF THE CONTEMPORARY ARTS IN ?
  2. EDUCATION
    1. (D01.00)
      1. DR. STUART RICHMOND
      2. COURSE DESCRIPTION
      3. MAJOR COURSE TOPICS
      4. ASSIGNMENTS
      5. REQUIRED TEXTS
      6. Return to Education's Undergraduate 2006-2 Course Outlines Main Page.

EDUC Outline
?
http://www.educ . .calugradprogs/Outlines/Educ456richmond.html
SIMON FRASER UNIVERSITY ?
SUMMER SEMESTER 2006

Back to top


EDUC
456-4?
MODELS OF THE CONTEMPORARY ARTS IN ?

Back to top


EDUCATION
(D01.00)
DR. STUART RICHMOND
Office: EDB
8546
Phone: 291-3163
TUESDAY 8:30-12:20 @ Harbour Centre Campus
PREREQUISITE:
60 hours of credit
COURSE DESCRIPTION
This course examines the forms, processes, values and conceptions of the contemporary visual arts and
relates these ideas to modernist perspectives and the development and practice of art education in
schools.
MAJOR COURSE TOPICS
The course examines the main ideas, themes, approaches, media and guiding assumptions of
contemporary art. Contemporary art involves ways of working that are frequently conceptual,
improvisational, exploratory, and interdisciplinary. Such art is often personal, small scale,
process-oriented, relativist, reflective and collaborative. It tends to focus on meaning rather than form or
beauty; uses ordinary materials and skills, employs construction, found materials and objects,
assemblage, bricolage, performance and installation, photography, scrapbooks, drawing and painting;
deconstructs the grand narratives of modernism (truth, beauty, the fine arts, artist as creative genius,
judgments of taste), and explores social and aesthetic issues such as the nature of art, aesthetic quality,
uniqueness, consumerism, politics, ecology, gender, sexuality, the market, technology, culture,
language, the media, identity, etc. The course critiques and compares modern and postmodern
approaches to art with a view to providing a balanced understanding that is of value to education.
Contemporary approaches provide a needed challenge to tradition, privilege and interests and are
legitimate in themselves as art. But also, learning skills and an appreciation of form constitute a powerful
route to understanding. Furthermore to judge by the art people buy and pay to see, traditional art still
matters. Through readings, discussions, and art activities, students explore the range, meaning and
value of art today, and ways in which it can be developed in the school curriculum. Participation in class
activities is essential. Some basic art materials required
ASSIGNMENTS
1. Term paper 3000 words---30%
2.
Reading Logs and in class discussion---30%
3.
Art activities and projects---40%
REQUIRED TEXTS
1 of 2 ?
1/16/06
9:59
AM

EDUC Outline ?
http://www.educ.s .ca/ugradprogs/Outlines/Educ456richmond.html
Freeland, Cynthia (2002). But is it Art? New York: Oxford University Press.
ISBN 0 19 210055 6 pbk
Walker, Sydney, R. (2001) Teaching Meaning in Artmaking. Worcester: Davis Publications. ISBN
87192
583 4
pbk
Return to Education's Undergraduate 2006-2 Course Outlines Main Page.
2 of 2 ?
1/16/06
9:59
AM

Back to top