I
    Required Readings
    "ART PLUS" by Ronald N. MacGregor
    University of Alberta (McGraw-Hill Ryerson Ltd.)
    1977
    Recommended Readings.
    "CREATIVE and MENTAL GROWTH" by Viktor Lowenfeld
    The MacMillan Company, New York,
    1957.
    "ART EDUCATION" Its Means and Ends, by I.L. DeFrancesco
    Harper & Brothers, Publishers, New York.
    "ART and EDUCATION IN CONTEMPORARY CULTURE" by Irving Kaufman,
    1966
    The MacMillan Company, New York.
    "CHILDREN'S DRAWINGS AS DtAGFIOSTI'C AIDS" by Joseph H. DiLeo, M.D.
    Brunner/Maze] Publishers, New York,
    1973.
    "ART AND VISUAL PERCEPTION" by Rudolf Arnheim
    University of California Press,
    1974.
    Magazines:
    "School Arts"
    50
    Portland Street,
    Worcester, Mass.
    U.S.A.
    "Art & Craft" in Education,
    Ewans Brothers Ltd.,
    Montague House, RussellSquare,
    LONDON, W.C.1, England.
    BB : ca

    . ?
    .
    EDUCATtQN
    477.4
    DESIGNS FOR LE.NING : ART
    SUMMER
    19177
    Intersession
    Summer Session
    ?
    Instructor: B. Borsos
    The basis of this course is to introduce Art Education on
    a level that anybody is able to understand, regardless of personal
    knowledge or any previous experience.
    This is necessary because many teachers are uncomfortable
    teaching art, owing to careless and mostly irresponsible remarks
    from their own teachers, about their own dissability in art.
    Based on the idea that to teach art in elementary and inter-
    mediate levels one does not have to be an artist but rather an
    imaginative and careful leader of activities.
    Therefore, this course will concentrate on simple technical
    know-how of materials and equipment, by introducing Drawing,
    Painting, Printing, Modeling, Pottery and Puppetry on a ready-
    to-take-home, classroom level to foster confidence in the teacher.
    To encourage further development, the philosophy and psychology
    of art education will be introduced by the appl icat ion of art to
    other subjects for a comprehensive aesthetic education.
    All students will receive a book list for reading with notes,
    articles and handouts as the course progresses.
    Requirements:
    I. Class attendance.
    2.
    A finished scrapbook (notes, illustrations, etc.)
    3.
    Selected finished works 3D.
    5.4.
    Completed
    Two paper
    course
    p
    resentations
    evaluation
    (to
    questionnaires.
    be established by Prof.)
    The final result of this course should manifest itself in
    teachers who can teach art with confidence and imagination, while
    maintaining a tendency for research to build on this established
    base, raiding personal aesthetic understanding and elevating teacher
    competence in "Art Education".

    0
    . ?
    .
    Required Readings
    "ART PLUS" by Ronald N. MacGregor
    University of Alberta (McGraw-Hill Ryerson Ltd.)
    1977
    Recommended Readings.
    "CREATIVE and MENTAL GROWTH" by Viktor Lowenfeld
    The MacMillan Company, New York,
    1957.
    "ART EDUCATION" Its Means and Ends, by I .L. DeFrancesco
    Harper & Brothers, Publishers, New York.
    "ART and EDUCATION IN CONTEMPORARY CULTURE" by Irving Kaufman,
    1966
    The MacMi 1 lan Company, New York.
    "CHILDREN'S DRAWINGS AS DAaI4OST1C AIDS" by Joseph H. Di Leo, M.D.
    Brunner/Mazel Publishers, New York,
    1973.
    "ART AND VISUAL PERCEPTION" by Rudolf Arnheim
    University of California Press,
    1974.
    Magazines:
    "School Arts"
    50
    Portland Street,
    Worcester, Mass.
    U.S.A.
    "Art & Craft" in Education,
    Ewans Brothers Ltd.1
    Montague House, RussellSquare,
    LONDON, W.C.l, England.
    BB : ca

    S.?
    I
    Summer Art Classes for Children
    This is an enquiry regarding the possibility of creating a realistic
    teaching situation for student teachers in the course "Design for
    learning" 477 Art Education by organising summer art classes for
    children voluntarily sent or delivered by the parent to Armstrong
    Elementary School on the following dates and times.
    Day
    Date
    Arrival
    Pick up or
    Departure
    Tuesday
    July 17
    2:30
    P.M.
    4:00
    P.M.
    Friday
    July
    21
    2:30
    P.M.
    4:00
    P.M.
    Tuesday
    July
    25
    2:30
    P.M.
    4:00
    P.M.
    Friday
    July
    28
    2:30
    P.M.
    4:00
    P.M.
    Tuesday
    Aug..
    1
    2:30
    P.M.
    5 ?
    4:00
    P.M.
    Friday
    Aug. 4
    2:30
    P.M.
    4:00 P.M..
    Ages 6 to 12 years
    We would like to have 40 young people for 2 classes with 20 each.
    No priorities! First come first served. No charge for materials used
    in course. Deadline for entry 7 July 78 (in my box in Bldg. one)
    Bob Borsos
    Lecturer Art Education

    1/ ?
    r
    • /
    ?
    APPLICATION FORM
    /
    SUMER
    ART CLASSES FOR MIMBEN
    Parent Name:
    Address:
    Phone He:
    Phone Business:
    Name of child:
    Age:
    Transportation:.
    Car ?
    Walking
    Other______
    i1e the highest level of safety is
    maintained at all
    tines in
    instruction
    and
    managenent of the children, neither Simon
    Fraser University or the Art Instructors of 477 Ed. Art (Design for
    learning) will accept any material
    and/or financial responsibility
    for accident or any other damage to children while at Armstrong
    Elementary School.
    Parent
    signature
    Date:

    MATERIALS LIST FOR
    STUDENTS FOR EDUCATION 477 INTE SSION
    PENCIL
    RULER
    SCISSORS
    EXACTO KNIFE purchased at Behnson's Silk Screen
    BRANCH FOR WEAVING
    BLOCK OF PLYWOOD ABOUT 6'
    t x 8"
    MISCELLANEOUS WOOLS AND EMBROIDERY THREADS FOR STITCHERY AND WEAVING, SUGGESTED COLOURS
    EITHER TINTS AND SHADES OF INE COLOUR OR COLOURS THAT SIT BESIDE EACH OTHER ON THE
    COLOUR WHEEL. I.E. RED, RED--ORANGE, AND RED PURPLE.
    ONE WOOD FRAME FOR STITCHERY AT LEAST 12"x12"
    MISCELLANEOUS SCRAPS OF FABRICS FOR STITCHERY
    ALL WORK MUST BE FINISHED,MOUNTED AND PRESENTED FOR USE
    IN
    SCHOOLS!
    ATrNM1m1Tc
    1.
    puppets-three types
    2.
    one roll of film, exposed and developed
    3.
    three prints
    4.
    one section animation
    5.
    one photo silk screen
    6.
    one example raku firing
    7.
    one developmental unit planned in personal level
    8.
    one batik
    9.
    one manganese print and preliminary work
    lO.one finish, glazed,example of either coil, slab, or sculptue in clay
    11.
    one paper weaving
    12.
    one other weaving sample of choice
    3. one T shirt design in silk screen
    14.
    one of either stitchery, hooking or applique or combination
    15.
    one finger print.
    16.
    one object print
    17.
    one cardboard etching
    18.
    one three colour lino print
    19.
    one monoprint
    20.
    one wax resist
    21.
    one wax resist....-.either wax paper or crayon
    22.
    one paper batik or crayon etching
    23.
    one ink and wash drawing
    24.
    one dry brush drawing
    25,one oil pastel and turpentine or oil pastel and vegetable oil

    .S
    MATERIALS LIST FOR STUDENTS FOR ED1JCATION 477 INTE SSION
    PENCIL
    RULER
    SCISSORS
    EXACTO KNIFE purchased at Behnson's Silk Screen
    BRANCH FOR WEAVING
    BLOCK OF PLYWOOD ABOUT 6
    tt
    x 8"
    MISCELLANEOUS WOOLS AND EMBROIDERY THREADS FOR STITCHERY AND WEAVING, SUGGESTED COLOURS
    EITHER TINTS AND SHADES OF INE COLOUR OR COLOURS THAT SIT BESIDE EACH OTHER ON THE
    COLOUR WHEEL. I.E. RED, RED--ORANGE, AND RED PURPLE.
    ONE WOOD FRAME FOR STITCHERY AT LEAST 12"x12"
    MISCELLANEOUS SCRAPS OF FABRICS FOR STITCHERY
    ALL WORK MUST BE FINISHED,MOUNTED AND PRESENTED FOR USE IN SCHOOLS.
    1.
    puppets-three types
    2.
    one roll of film, exposed and developed
    3.
    three prints
    4.
    one section animation
    5.
    one photo silk screen
    6.
    one example raku firing
    7.
    one developmental unit planned in personal level
    8.
    one batik
    9.
    one manganese print and preliminary work
    10.one finish, glazed,example of either coil, slab, or scuiptue in clay
    11.
    one paper weaving
    12.
    one other weaving sample of choice
    3. one T shirt design in silk screen
    14.
    one of either stitchery, hooking or applique or combination
    15.
    one finger print.
    16.
    one object print
    17.
    one cardboard etching
    18.
    one three colour lino print
    19.
    one monoprint
    20.
    one wax resist
    21.
    one wax resist .....either wax paper or crayon
    22.
    one paper batik or crayon etching
    23.
    one ink and wash drawing
    24.
    one dry brush drawing
    25.one oil pastel and turpentine or oil pastel and vegetable oil

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